Flower Workshop: Part 1
New Greenery Sprouting in the Studio
On April 17th, a new installation was completed at THE GOOD CAT SCRATCH studio. It was a transformative moment—the studio was instantly brightened by the power of plants, feeling as though it had been reborn into an entirely different place. The mirror, now framed by lush greenery, has become the new “face” of the studio, warmly welcoming everyone who visits.
This installation is more than just a decoration; it is a precious “piece of art” that gives shape to our philosophy. Immersing ourselves in this completed space, we feel a sense of clarity and a boost of revitalizing energy.
Cherie at Work During the Workshop
On this day, we welcomed London-based flower artist Cherie Yip/The Spring Is Here as our guest. We held a special flower workshop that consisted of two parts: individual sessions where each member created their own piece, and a collaborative project led by Cherie to craft a new installation for our studio.
Exploring the market. Countless plants line the shelves and hang from the ceiling.
To the Early Morning Market
At 4:30 AM, while the city was still asleep, we headed to the Setagaya Flower Market with Cherie. We spent about an hour wandering through the market, carefully selecting the plants that would bring our workshop to life.
Bringing the Cherry Blossoms in Full Bloom Back to the Studio
Among the many selections, we had one truly special encounter. As we searched for the structural “branch pieces” that would form the backbone of the installation, we happened upon a cherry blossom branch with a dignified presence. The moment we saw its graceful form, which evokes a uniquely Japanese sense of refined emotion, Cherie’s vision and our own intuition fell perfectly into place.
Members immersed in their creations.
Enjoying Greenery Together: An Artistic Experience
In the afternoon, the members gathered in the studio, which had been vibrantly transformed by the plants. Usually, this is a place of quiet tension where tattoo artists focus deeply on their needles and ink, but today, laughter filled the air, and the entire studio was wrapped in a warm and lively atmosphere.
Group photo of everyone who joined the workshop
As the preparations progressed, the tables became covered in greenery. Our familiar workspace was reimagined into a scene overflowing with nature. With everyone’s excitement reaching its peak, the workshop finally began.
Winigreeni and Ozge complimenting each other’s work. The cherry blossoms from the market were used as the finishing touch for the pieces.
First, we took on the challenge of creating individual pieces.
Cherie kindly guided us on how to handle the materials. Although she made it look effortless, we quickly realized the difficulty once we picked them up ourselves.
We were working with plants—living things with a mind of their own. Laughter filled the room as we struggled with their unpredictable movements, with voices calling out, “Wait, it’s going that way?” and “Hold on, how is this supposed to look?”
While our daily work requires extreme concentration, today was much lighter. We enjoyed the soft, spongy texture of the moss as the session continued in a relaxed and cheerful atmosphere.
As we worked, ideas began to flow naturally: “Oh, this angle looks great,” or “Wouldn’t this look perfect right here?”
“That’s so cute!” “It looks just like your style!”
We leaned in to look at each other’s work, exchanging compliments and sharing inspiration. It was a special moment—unlike our usual solitary and stoic creative process, we were all gathered around a single table, creating together.
Moving beyond the individual pieces, we began crafting larger components for the installation.
The Dignified Presence of an Artist
Once the workshop concluded, the real work began: the studio installation and the major task of assisting Cherie with her artwork. The centerpiece was a bold display designed to frame the large mirror at the entrance.
As Cherie refined the composition, we applied our newly learned skills to continuously produce components of various sizes.
Cherie working on the studio installation. She carefully makes adjustments while fine-tuning the overall balance of the piece.
Watching Cherie at work was a profound source of inspiration for us. We were captivated by her immense concentration as she arranged the countless components and the professional eye she brought to every detail. Her dignified presence as an artist—one who refuses to compromise on any aspect of her vision—was something we, as fellow creators, found truly admirable.
A commemorative shot with completed works
Expanding the Boundaries of Expression
While we struggled with unfamiliar materials and laughed through the challenges, every moment spent in trial and error was filled with a fresh kind of inspiration—different from our daily work of etching ink into skin. Working with plants, a medium where there is no “correct” answer, and losing ourselves in the process of creation was a truly rewarding experience. It was a fruitful day, and every member felt a deep sense of joy in this unique creative journey.
Cherishing this fresh perspective, THE GOOD CAT SCRATCH will continue to push the boundaries and challenge new forms of expression.
In our next post, we will introduce the artist Cherie in more detail and showcase the studio’s transformation through her work, while sharing the core philosophy that THE GOOD CAT SCRATCH holds dear.
THE SPRING IS HERE
Cherie Yip is the founder and florist of the Hong Kong-born floral studio, THE SPRING IS HERE.
She is renowned for a style that treats flowers not merely as decoration, but as “sculptural expressions” that encompass the surrounding space and atmosphere. After studying illustration in London and working in graphic design and the fashion industry, she transitioned into floristry. Drawn to the beauty of imperfection and the serendipity found in natural materials, she creates organic works that balance stillness with movement.
Having collaborated on projects for brands such as Marni, Louis Vuitton, and JOYCE, Cherie has garnered attention as a creator who works across the intersections of fashion, art, and spatial design. Her work is heavily influenced by architecture and minimalist design, characterized by a delicate touch that emphasizes negative space and the inherent texture of her materials. Today, she continues to expand her creative presence beyond Hong Kong, including the London creative scene.
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THE GOOD CAT SCRATCH
Lifestyle, Art & Tattoo
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